ENTER Art Program

Performances

Thursday, August 29

16.00: PERFORMANCE: “THE INVISIBLE PARTY”
Artistic direction, choreographer & digital artist  Natacha Paquignon (FR), artistic direction, developer & digital artist Maxime Touroute (FR), dancers Natacha Paquignon & Kynsie Serre (FR), and music by Odalie (FR). 

The performance is sponsored by the Danish Arts Foundation and the Beckett Foundation.

Friday, August 30

13.00: PERFORMANCE: “THE INVISIBLE PARTY”
Artistic direction, choreographer & digital artist  Natacha Paquignon (FR), artistic direction, developer & digital artist Maxime Touroute (FR), dancers Natacha Paquignon & Kynsie Serre (FR), and music by Odalie (FR). Please, download the free app Revy in advance and select the top menu ‘The Invisible Party’ at Enter Art Fair. 

The performance is sponsored by the Danish Arts Foundation and the Beckett Foundation.

Saturday, August 31

15.00: PERFORMANCE: “THE INVISIBLE PARTY”
Artistic direction, choreographer & digital artist  Natacha Paquignon (FR), artistic direction, developer & digital artist Maxime Touroute (FR), dancers Natacha Paquignon & Kynsie Serre (FR), and music by Odalie (FR). Please, download the free app Revy in advance and select the top menu ‘The Invisible Party’ at Enter Art Fair.

The performance is sponsored by the Danish Arts Foundation and the Beckett Foundation.

17.45-18.45: PERFORMANCE: HUMAN UNREADABLE, OPERATOR
Live performance of the Human Unreadable movement library by Ingeborg Meier Andersen.

During 17.45-18.45 the space will be activated by a performance with two 15 minute breaks included.

Sunday, September 1

13.00: PERFORMANCE: “THE INVISIBLE PARTY”
Artistic direction, choreographer & digital artist  Natacha Paquignon (FR), artistic direction, developer & digital artist Maxime Touroute (FR), dancers Natacha Paquignon & Kynsie Serre (FR), and music by Odalie (FR). Please, download the free app Revy in advance and select the top menu ‘The Invisible Party’ at Enter Art Fair. 

The performance is sponsored by the Danish Arts Foundation and the Beckett Foundation.

Exhibition

LoVid
Artwork: heartsleeves (2024)
Medium: Generative Web3 Digital Art & Interactive Installation

Auriea Harvey
Artwork: “The Adventures of Minoriea – Minoriea is Dancing, Bored, Waiting & Drunk” 2021)
Medium: 4 Augmented Reality artworks

Operator
Artwork: Human Unreadable (2023)
Medium: Dance, Performance, Installation, Digital Art (Web3)

Honey Biba Beckerlee
Artwork: Cu in Circuit (2020)
Medium: Art installation of five data centers’ server racks and interweave patterns of copper.

Cibelle Cavalli Bastos
Artwork: “A Picture Can’t Take Me II (2024) & A Picture Can’t Take My Elan Vita (2023)
Medium: Augmented Reality

Jonas Lund
Artwork: The Future of Something (2023)
Medium: Video

Natacha Paquignon, Kynsie Serre, Maxime Touroute, music by Odalie
Artwork: The Invisble Party
Medium: Dance, Augmented Reality (AR), Music

LoVid

Artist: LoVid 
Location: New York
Work: heartsleeves (2024)
Medium: Generative Web3 Digital Art & Interactive Installation.

Biography: LoVid is a New York based interdisciplinary artist duo, consisting of Tali Hinkis (b. 1974, US) and Kyle Lapidus (B. 1975, US) working collaboratively since 2001. LoVid’s practice focuses on aspects of contemporary society where technology seeps into human culture and perception. Throughout their interdisciplinary projects over two decades, LoVid has maintained their signature visual and sonic aesthetic of color, pattern, and texture density, with disruption and noise. LoVid’s work captures an intermixed world layered with virtual and physical, materials and simulations, connection and isolation. LoVid’s process includes home-made analog synthesizers, hand-cranked code, and tangible materials; their videos, textile works, performances, net-art, installations, and NFTs have been exhibited worldwide for over two decades. LoVid’s work has been presented amongst others at MoMA, PS, Museum of Moving Image, Whitney Museum and shown in several galleries.

Auriea Harvey

Artist: Auriea Harvey
Location: From USA, baased in Rome
Work: Adventures of Minoriea series (4 AR sculptures: Minoriea is Drunk, 2021, Minoriea is Bored, 2021, Minoriea is Dancing, 2021, Minoriea is Waiting, 2021)
Medium: Augmented Reality

Biography: Auriea Harvey (b. 1971, US) is an American artist based in Rome. She has since the 1990s been renowned for her early work in Internet-based and gaming art. Her artistic practice spans virtual and tangible sculptures, drawings, and simulations that integrate digital and handmade techniques. As an artist, she creates simulations and sculptures that bridge physical and digital realms. Initially focused on net art and video games, Harvey has since embraced 3D modeling, printing, and mixed reality. Her work is characterized by sculptures that fuse digital and handmade elements. Harvey is one half of the artist duo Entropy8Zuper! / Tale of Tales / Song of Songs, celebrated for their groundbreaking contributions to Internet art, video games, and XR. Harvey’s work is held in the collections of the Whitney Museum of American Art, Buffalo AKG Art Museum, Walker Art Center, KADIST Collection, Rf.C Collection, and Rhizome’s Net Art Anthology. She has exhibited internationally, including exhibitions at the Tinguely Museum, the Victoria & Albert Museum, the New Museum and ZKM.

Jonas Lund

Artist: Jonas Lund
Location: From Sweden, based in Amsterdam and Berlin
Work: The Future of Something (2023)
Medium: Video

Biography: Jonas Lund (b. 1984, SE) creates paintings, sculpture, photography, websites and performances that critically reflect on contemporary networked systems and power structures. His artistic practice involves creating systems and setting up parameters that often require engagement from the viewer. This results in performative artworks where tasks are executed according to algorithms or a set of rules. Through his works, Lund investigates the latest issues generated by the increasing digitalisation of contemporary society like authorship, participation and distribution of agency. At the same time, he questions the mechanisms of the art world; he challenges the production process, authoritative power and art market practices. His work has been acquired by Centre Pompidou, shown at Schinkel Pavillon, ZKM, Vienna Biennale Francisco Carolinum amongst many other places.

Operator

Artist: Operator
Location: From USA, based in Madrid
Work: Human Unreadable (2023)
Medium: Generative Web3 works and live performance

Biography: Operator is an artist duo consisting of Ania Catherine (b. 1990, US) and Dejha Ti (b. 1985, US) based in Madrid. Their collaborative practice develops critical and conceptual approaches to experience. With Dejha Ti’s background as a multimedia artist and HCI technologist, and Ania Catherine’s as a choreographer and performance artist, they engineer medium-agnostic output, joining environments, technology, and the body. Their exploration into privacy and extractive technologies began with their installation On View (2019), commissioned by SCAD Museum of Art, and continues with the Privacy Collection, a durational release of works exploring the tension between privacy and transparency in blockchain technology. For their most recent work Human Unreadable, they created an on-chain generative choreography method. Operator has been awarded The Lumen Prize (Immersive Environments in 2021 and Generative Art Award in 2023) ADC Awards (Gold Cube), S+T+ARTS Prize (Honorary Mention).

The Invisble Party

Artist:
Artistic direction, choreographer & digital artist: Natacha Paquignon
Artistic direction, developer & digital artist: Maxime Touroute
Dancers: Natacha Paquignon & Kynsie Serre & AR dancers 

Location: France
Work: The Invisble Party (Performance)
Medium: Dance, Augmented Reality (AR), Music

Biography:

Natacha Paquignon (b. 1974, FR) trained as a dancer and is the choreographer of Compagnie Corps Au Bord. Her first training, in music, nourishes her approach to dance, which gives particular importance to the musicality of movement and the rhythm of the artistic experience. She practices the internal martial arts, qi gong and taiji, which are at the heart of her approach to choreography. She is interested in the relationship between the human body and its environment. In an environment filled with tools and technologies, she develops a choreographic and digital research that questions the way in which these technologies modify our relationship with the world and our interpersonal relations. She combines the relationship between body, landscape and technology in choreographic creations using augmented reality. In 2024, she co-founded the Qi Dance Company with Maître Ke Wen, becoming its co-artistic director and choreographer.

Maxime Touroute (b. 1994, FR) creates digital art experiences and develops software for artists and cultural institutions. He produces and distributes projects that combine images, technology and interactivity, such as Live Drawing, a massively participative video projection where hundreds of participants draw live on the facades, or Painting Mirror – a mapping where the public is caricatured in real time by Artificial Intelligences. Over the years, he has worked with artistic teams and cultural institutions as an IT engineer, unlocking new creative potential for projects requiring a high degree of technical innovation. Maxime makes the software tools he develops available to the entire creative community to encourage sharing, reduce the technical costs of projects and increase the time devoted to creative innovation. His artistic and entrepreneurial approach has been rewarded by numerous international exhibitions and workshops, as well as by the French Ministry of Higher Education and Research, which awarded him two ‘Pépite’ prizes in 2020 and 2022.

Kynsie Serre (b. 1987, FR) is a multidisciplinary artist connecting the dots between the transformative power of the arts of movements, photography and video. Starting practicing at the age of 6 in a Maloya Collective (Traditional dance and music group from Reunion Island) meanwhile she attended Modern Dance School for 11 years, she then performed as an independent in different dance projects and street arts companies. During these fundamental years, meetings and travels came to nourish her practice of contemporary dance enriched with, among other things byThe Gaga (Batsheva / Ohad Naharin) or The Humanhood methods. In 2015, her inner research and interest in meditation led her to join the Dharma Techno collective. The experiences within this project combined with her own experimentation have consolidated her intuitive approach to dance as a vibrant impulse inherent in life and drove her to create a collective space Wave Arising which she co-founded in 2021 with the avant-garde musician Sebastian Vaughan.

Odalie (b. 1990, FR) creates complex arrangements with a wide range of instrumentation. Odalie crafts mosaics of sound that range from uplifting to melancholy, touching on a world of emotion in between. delicate drum patterns spiral beneath experimental strings, vast pads, and virtuosic vocals, as she explores the contradictions of modern living, both personal and societal. Between electronica, modern classical and ambient music, her tracks are a poetic invitation to meditate or to a merry solitude. Her debut album, Puissante Vulnérabilité released on Max Cooper’s Mesh imprint, is full of contrasts and raw emotions, interspersed with moments of quietude and a heavy dose of experimentation. She encourages us to show our flaws, for it is through them that we weave our relationships with others and with Nature. She is accompanied on stage and in the studio by the cellist Paolo Rezze. 

Cibelle Cavalli Bastos

Artist: Cibelle Cavalli Bastos
Location: From São Paulo & Italy, based in Berlin
Work: “A Picture Can’t Take Me II (2024) & A Picture Can’t Take My Elan Vita (2023)
Medium: Augmented Reality (AR) sculpture, Music

Biography:

Mx. Cibelle Cavalli Bastos (b. 1978, BR) is a non-binary artist whose multidisciplinary approach has seen them perform and exhibit globally. Born in São Paulo, Brazil, and now based in Berlin, Bastos has released four internationally acclaimed albums under the moniker “Cibelle.” Their dynamic performances have graced stages such as Carnegie Hall, at the behest of David Byrne, and the Montreux Jazz Festival. Bastos’ visual art has been showcased in notable venues, including Martin Gropius Bau, ICA London, and during events like SXSW and Transmediale. Recognition for their work is evident in their nominations for prestigious awards, such as the Frieze Artist Award in London and the XR Experience Award at SXSW in Austin.

Honey Biba Beckerlee

Artist: Honey Biba Beckerlee
Location: Denmark
Work: Cu in Circuit (2020)
Medium: Art installation of five data centers’ server racks and interweave patterns of copper.

Biography:

Honey Biba Beckerlee (b. 1978, DK) graduated from the Royal Danish Academy of Fine Arts, Copenhagen, the Städelschule, Frankfurt am Main, and Goldsmiths College, University of London, UK in 2008. Beckerlee holds a PhD from Aarhus University and the Royal Danish Academy of Fine Arts through the Novo Nordisk Foundation’s PhD Scholarships in practice-based research. Beckerlee’s practice renegotiates the established notions of the interfaces between our body, physical surroundings, nature, and technology, thus placing technology in a new decentralized perspective that is part of a complex more-than-human entanglement.

Daniela Arriado

Biography:

Daniela Arriado is a Chilean-Norwegian Advisor, Curator and Culture Manager dedicated to Contemporary Art and new technologies. She is the Founder of the Art Republic – a nomadic platform exploring the relation between art, technology and sustainability. During 2015-2023, she was the Artistic Director of Screen City Biennial, dedicated to the expanded moving image. Arriado currently works as an advisor for city councils, art institutions, fairs and collections with a focus on moving image and digital culture. She is a board member of IKT – International Association of Curators of Contemporary Art, and Vice Chair of The Norwegian Association of Curators. Based in Stavanger, Norway. Arriado is part of the Enter Digital Selection Committee for this year’s Enter Art Fair. 

Madeleine Pierpont

Biography:

Madeleine Pierpont (US) is a creative-innovator working at the intersection of art and emerging technologies. Driven by her desire to facilitate meaningful engagement with cultural and material aesthetics, she curates, strategizes, and produces initiatives across the digital and the physical. She manages Web3 and Emerging Technology at The Museum of Modern Art, New York.

Kirsten Eggers

Biography:

Kirsten Eggers (b. 1981, GER) is Head Art Advisor and Chairman of the Selection Committee of Enter Art Fair. She joined the Enter Art Fair Team in 2021. Before she worked nearly 10 years for important, international operating galleries in Berlin, Germany. Until the end of 2020 she was four years at KÖNIG GALERIE Berlin as director. She has participated in many international major art fairs such as Art Basel (Basel, Hong Kong, Miami). Kirsten has extensive knowledge and experience in the art market and the art world with a strong network of collectors, collections and institutions, specifically in Europe and the German-speaking countries. She holds a Master’s Degree of Arts in Art History. Apart from Enter Art Fair she works freelance for international art projects and institutions such as the German Federal Bank Collection and with private clients. 

Stina Gustafsson

Biography:

Stina Gustafsson (b. 1987, SE) is a curator and art strategist specializing in digital narratives and the development of the art world and the cultural workforce through nascent technologies. In 2019, she co-founded the art research department for blockchain foundation Department of Decentralization. She’s written and talked extensively on the subject, and has published reports on the intersection of blockchain and art – There is No Such Thing as Blockchain Art (2019) and Wanderer Above a Sea of FUD: Cultural Workforce, crypto-anarchism, Intellectual Rights, and Blockchain-based Funding models for Culture and Arts (2021). During her career, she’s worked with a wide variety of cultural and arts organizations and museums, such as the Bundeskunsthalle, Kristianstads Konsthall, The Ethereum Foundation, MoCDA – Museum of Contemporary Digital Art, and artists such as Hito Steyerl, Joan Heemskerk, Harm van den Dorpel and Stine Deja. 

Diana Velasco

Biography:

Diana Velasco (b. 1974, DK/ES) is Head of the Art Program, Member of the Digital Selection Committee at Enter Art Fair and Artistic Director at Museum of Nordic Digital Art – MoNDA. She joined the Enter Art Fair team in 2024 and brings over 12 years of experience in fine art, with the last 6 years focused on digital art collection, curation, and exhibition. She is also a digital artist currently exhibiting at Centre Pompidou Málaga. Velasco co-founded Radar Contemporary, has been the Artistic Director for the Museum of Nordic Digital Art – MoNDA since 2022, and works as a freelancer for international art projects. In 2024, she serves on the Lumen Art Prize jury and the selection committee for The Finnish National Gallery’s Combine24. Velasco has studied anthropology and photography and was the Program Lead for Metro Art in Denmark – five metro stations with integrated art opened in the summer of 2024. Photo ©Davy Denke I Rytter & Denke.